The incentives and momentum that this kind of tech creates will hopefully carry it over the next hill.
Bitcoin.com When did you first get into Bitcoin?
Phneep: I gained some peripheral knowledge loitering on slashdot.org in 2011 when it hit $30+ and then crashed, but who the hell cared about that, right? Certainly not me. Then in December 2012 I decided to throw $100 in a purely speculative manner at this coin thing on my screen. I found the least sketchy online exchange, had a distinct flashback to joining a BBS in 1991, and was on my indolent gambling way. I was completely naive. It wasn’t until after the next peak/crash in April 2013 that I began looking more closely at what the heck I had gotten myself into. Then I got excited.
BC: How long have you been into graphic arts?
Phneep: I’ve enjoyed drawing since I was a kid, but I’d say it was around the turn of the century when I started tinkering with Microsoft Paint and quickly realized I needed a more powerful tool to bring these absurd ideas to life. After a brief stint with Paintshop Pro I moved on to Photoshop and taught myself how to bend pixels to my will. Now pixels really cower when I enter a room.
BC: Why did you meld crypto-currency with your visuals?
Phneep: Bloody good question. I still ask myself the same thing sometimes. It was early 2014 that I decided to focus on Bitcoin satire. I wanted to contribute in some way, but I couldn’t code. And since I’m more of a purgatory Investor than an angel Investor I felt the only thing left to do was just start making jokes and hope that some coder found it funny after toiling over a hot keyboard all day. I had already been doing similar work involving my other interests, like politics, religion and hockey, but then Bitcoin came along and sort of took over my brain. It’s therapeutic too in a way.
BC: What would be some of your favorite pieces?
Phneep: My babies! How can you make me choose? Well okay then. Top of my list right now is probably “Laws”. I thought the title had legs, but then the shark shape of the U.S. Capitol Building and the bobbing Bitcoin logo leapt into mind, and the rest, as they say, is an introspective regulatory tale best told by Robert Shaw.
I’d say “Saving Ryan’s Private Key” is also right up there, mainly because of the time it took to make, and it’s just a great play on words. The idea that 4 crypto experts would be sent in to recover someone’s 12 word passphrase…man, to me that is just too funny, so I had to make it happen. The best parodies hit on several fronts: hilariously simple title, imagery is spot on, and the new plot implications produce rippling giggles for some time afterwards.
In terms of logo mashups, I really dig the Heineken piece. It’s very recognizable yet unassuming despite all the detail; also it was surprisingly tricky to recreate.
As long as the core devs are kicking and making successful changes to the protocol itself, and as long as Hollywood keeps crapping out these blockbusters, then I’m going to keep finding ways of mashing them together.
“It is incredibly liberating to transact with a client across the globe without a middleman. That’s part of why I’m convinced that Bitcoin will play a huge role in the future of web commerce…because it’s already happening.”
BC: Do you plan to continue with your graphics?
Phneep: As long as the core devs are kicking and making successful changes to the protocol itself, and as long as Hollywood keeps crapping out these blockbusters, then I’m going to keep finding ways of mashing them together.
I suppose my main mission right now is pretty simple: provide a place where people can come and take a mental break for a few minutes. Things can get a little harried in the cryptosphere, so hopefully my stuff provides an amusing respite in a way that still scratches that Bitcoin itch. You can’t (or shouldn’t) be serious 24/7, and that’s where bit-buffoons like me play a role. It’s possible someone unacquainted with Bitcoin might stumble across my work and wonder why they don’t get the joke, prompting them to do more research, but that’s probably stretching it a bit.
BC: Have you received any substantial tips from your work?
Phneep: I think so, but I also grew up with a splintery wooden spoon in my mouth, so it depends on your definition of substantial. In terms of value, I’ve been able to convert my tips into 150 kilometres worth of gasoline, 2 digital video discs, and a kilogram of sugar. It’s not a living, but that’s not why I went into the incredibly under-attended crypto-satire arena. What excites me more is the fact that I’ve been paid in bitcoin to do a few graphic design projects. That’s a great feeling. If you haven’t earned bitcoin, I suggest finding a way to do so. It is incredibly liberating to transact with a client across the globe without a middleman. That’s part of why I’m convinced that Bitcoin will play a huge role in the future of web commerce…because it’s already happening.
BC: What’s your inspirations on these graphics?
Phneep: Apart from being a movie buff, I just realized it probably has a lot to do with Logorama, the Oscar-winning short from 2009. Their vicious take on advertising and marketing overload is incredible, and it really resonated with me. I guess I want to keep exploring that theme. When I see a commercial or a stock photo, I can’t suspend my disbelief. I imagine the actor/models going about their real-life daily activities, like going to auditions, talking with their real family, and doing laundry. To me it’s all very surreal. I want to encourage people to see beyond the artifice of mass-marketing, to resist manipulation, and I suppose that co-opting popular brands and movies is one way to start shaking things up. If I can make someone smile, twist their perspective, or educate them a little about Bitcoin along the way, all the better.
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